Entertainment » Music

Charles Busch: My Kinda '60s

by Wickham Boyle
EDGE Media Network Contributor
Wednesday Sep 6, 2017
Charles Busch
Charles Busch  

Charles Busch teamed up with Tom Judson to heat up the stage at Helsinki in the Hudson Valley with "Charles Busch: My Kinda '60s." Busch, whether in drag or not, with Tom Judson at the piano occasionally crooning along or taking a song himself, make an astonishingly charming, heartwarming evening. And we certainly all could use that right now.

Judson makes a piano trill and vibrate with his individual arrangements, crafted to both suit Busch's song styling and his ability to pluck at our heartstrings while tickling our fancy. This evening was designed as a look at the songs of the sixties, and even though as Busch expounded often, "We have never performed this song!," the duo was marvelous. It was a triumph of an evening.

Busch enters in an emerald green brocade suit with rhinestone buttons all aglitter, then asked the crowd, "Too butch?" We all adore Busch whether in drag or as in this case, "with a little mascara, maybe a false eyelash and this new suit." He kicked the evening off with a mélange of "Your Zowie Face" and "Look at that Face, " and it made for a raucous, happy start.

Club Helsinki is located in the now bustling and chic Hudson, New York, a two-hour train ride up the Hudson, which seems to have become the darling of New Yorkers and international visitors. The club is in a wonderfully remodeled industrial building that has great acoustics and features table service of Cajun-inspired dining or a large bar serving good drinks and snacks.

From the perch at a table center stage, the view was perfect and the evening exploded with Burt Bacharach's "Anyone Who Had a Heart," which Busch rendered in heart wrenching sadness. He then segued to The Beatles because, as Busch's banter suggested, there is nothing more '60s for him and many of us, than the Beatles. Again, Judson's arrangement of "Here There and Everywhere" was pitch-perfect.

The evening rolled along with songs by Alan Jay Lerner, Leslie Bricusse, Sondheim, Peggy Lee, and a stunning version of "Surabaya Johnny" by Brecht and Weill. A highlight was a duet that had a rocky start, as Judson's mike clicked in and out and so the solution was for Busch to move over to the piano bench and they shared a mike for Mancini's "Two for the Road." Squished together at the piano, they unleashed a joyful rendition that brought down the house and finally gave the techie a chance to figure out the sound situation.

The evening consisted of 15 numbers, a full album of songs that ended with an arrangement of Bob Dylan's, "The Times They Are a Changin." In this version, Judson explained that he morphed each stanza to modulate the monotony of Dylan's original release where it was exactly the same for the many stanzas of what we now know are Dylan's Nobel Prize-winning poems. The way the song was presented, in song styling and musically, allowed the poignancy of the music and lyrics to shine through. And although bittersweet for those of us who heard the anthem in the '60s and thought we were changing the world, it is still a rallying call never to forget that we must continue to be vigilant and believe.

There was as, Busch called it, a fake encore, as they didn't leave the stage and we all would have called them back for as much as they would offer. That encore was Raskin's "Those Were the Days," where the audience can be rallied to clap and cheer.

Busch and Judson are off to Spain for their next tour; for more information, visit charlesbusch.com.

"Charles Busch: My Kinda '60s" was held on September 2 at Club Helsinki, 405 Columbia St., Hudson, NY, 12534. For information on upcoming shows, call 518.828.4800 or visit https://helsinkihudson.com/

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